In the process, I also discovered in the movie stills and during the research on the suit, that there are "bugs" as some scenes have differing components on the suits than in others. I estimated the scale off the main actor's height and winged it from there. So I found what information I could and ended up designing this suit from movie stills and watching the movie itself several times. Very few props survived as he never intended there to be a sequel nor did he want profiteering off the props, many were ordered to be destroyed. I did a lot of research online about the movie and the original movie props were pretty much destroyed by Kubrick. This certainly was it! I started this just after New Years 2019 and did a little work each weekend, chipping away at learning the CAD software (SketchUp), printing very large duration prints, and the sewing - much of it by trial and error! Hundreds of hours later I have what you see here. Clarke that was later made into the iconic 1968 film "2001 - A Space Odyssey." I had just gotten into 3D printing about 4 months before starting this project and I wanted a challenge to build my skills. The title for this project is entirely descriptive of the process it took to create my version of a replica costume of the space suit from the Science Fiction novel by Arthur C. (See other instructables for determining resistor sizing as that depends on how many LEDs you place in a circuit, the voltage of your battery source etc.) 2 - 5vdc computer fans, 4-way toggle switch, and 6-pin electrical connectors.Īluminum Sheet metal and 0.0080" Acrylic sheet, Rare Earth magnets, Custom Decal sheets, Bicycle helmet pad set, Foam. Wiring - Assorted LEDs, 22AWG wire, solder, resistors, Battery sources, misc. Sewing - Reflective Ribbon, zipper, quilt padding, thread, 1.5" Webbing for the harness. Spray Paint - Auto Primer (for filling in 3D prints), Finish coat (Rustoleum Brand is my favorite). in 1968, reflective ribbon didn't exist so I changed my idea and went back to the more original suit look.Ģ - Industrial jumpsuits, one your size, and one at least a size larger to cut up and rob material from for the padding.Ĥ - 5 spools of 3D PLA Filament depending on how many print fails you might have.Įpoxy glue, sheet metal screws, hot melt glue (fastening), misc. I later felt I didn't want it looking like a construction suit, AND. For example, I searched a long time thinking I really wanted a reflective ribbon and then settled in on a more metallic ribbon versus a true reflective type. Meaning, there are so many options available to you. Nothing could go wrong if Stanley was in charge.This is a generic Materials List because by searching out each of the items listed below, what you find will help you decided what your project will look like. Talk about someone holding your life in their hands! When asked by Vanity Fair if there were any other protections in place aside from the man holding the rope, Dullea's response was, "I would have been dead." He quickly followed this with, "I had been working with Stanley for months, and I totally trusted him. Vanity Fair states that "as the actor fell, the rope sped through the gloved hands of a circus roustabout," the only protection Dullea had from crashing into the ground. The camera was positioned below his projected body making the shot seem like a horizontal ejection when in reality, Dullea was falling headfirst towards the ground. Dullea had to perform the scene himself, and an article for Vanity Fair explains that this was "somewhat harrowing for Dullea, who, with no helmet to hide behind, had to forgo a stunt double." Dullea had to "dive headfirst through the escape hatch, secured by a hidden rope attached to a harness underneath his costume" from two stories up. Clarke, they decided it would work, and so filming began. After discussing this possibility with Arthur C. In order to make this scene accurate, Kubrick heavily researched whether or not a helmetless person could survive brief exposure to space if it was just through a quick transition from pod to ship.
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